En Se Vienen Cositas hablamos de Marketing Musical, Coaching Vocal, Distribución Digital, y mucho más. Hoy vimos el Glosario de la Industria Musical, con términos muchas veces confundidos, como " Distribución" , AyR , Promoción Musical y mucho más!
Soundcloud is now letting artists sell downloads to fans directly and it could be an important new revenue opportunity for you!👏🎶Would you try it? 👀Let’s chat in the comments!
The 21st night of September’s internet lore has been fun while it’s lasted. On its namesake day, @earthwindandfire is here to put the speculation of its significance to rest 👀
DistroKid has added Audio Swap, allowing artists to replace audio on an existing release without reuploading and losing streams.
In this video, I explain how it works and when you should use it.
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Si eres nuevo en mi canal, mi nombre es Alexiomar Rodríguez, soy abogado y socio fundador de Xiola. Somos la firma legal para la nueva industria de la música y el entretenimiento. Trabajamos con empresarios y negocios. Gestionamos sus contratos y propiedad intelectual, y le damos respuestas claras en 24 horas, para que se enfoquen en crecer su negocio sin que legal los atrase. En 2025, conseguimos $5M para nuestros clientes en adelantos, inversiones, y compraventa de catálogos.
Cómo llegué aquí…
0–21: Músico, productor, guitarrista y cantautor (+10,000 oyentes mensuales en Spotify).
22: Graduado con Altos Honores en Economía (UPRM).
24: Trabajé con jueces (federal y estatal) y firmas de litigio corporativo.
25: Graduado con Altos Honores en Derecho (UPR).
26: Renuncié a una de las top 3 firmas de Puerto Rico para lanzar Xiola.
27: Facturé mis primeros $100,000.
28: Fundé Seed Academy, escuela de music business en español.
29: Escribí un best seller en Amazon (De Artista a Empresario Musical) y superé $400K en revenue.
30: Me mudé a EE.UU., levanté $250,000 con Techstars + Warner + VC, y lancé Flou, software de contratos musicales ($50,000 en ventas).
31: Comencé a dar charlas internacionales.
32: Seguí el consejo de mi mentor, Alex Hormozi. Cerré Seed Academy y Flou. Me enfoqué en Xiola y hemos facturado más de $1M.
Hoy: Nuestros abogados son de Puerto Rico y Estados Unidos. Trabajamos de manera 100% remota. Y cobramos de dos maneras: tarifa fija y comisión. Así es como hacemos nuestro dinero. No vendemos cursos.
La industria musical es dura. Pero si naciste para esto, lo sabes:
La vida sin música sería un error.
No te quites,
Alexiomar
RELEVO: Este contenido es solo para fines educativos. No constituye asesoría legal. Consumir este material no crea relación abogado-cliente. Para orientación específica, consulta a tu abogado de confianza.
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The Simpsons has made an uncomfortable amount of predictions that became reality. In this video I talk about all the ones I think they got right, wrong.. and speculate on what is next.
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The Business of Animation Music: What You Need to Know to Succeed
Animation’s Biggest Music Myth—Shattered! DreamWorks’ Alexandra Nickson Reveals the Secret to Universal Hits
Go behind the scenes of DreamWorks Animation with Alexandra Nickson, head of music and architect behind some of modern animation’s most powerful and global music moments! In this episode, Alex shatters the “kids music” myth (her office sign says it all: “There’s no kids’ music, just great music!”), and breaks down the creative and business strategies that fuel worldwide hits from Latin America to Asia. Learn why animation music is finally earning its respect, the unique challenges of casting and collaboration, and why communication trumps all in the high-stakes, global world of animation music. Whether you’re an aspiring composer, songwriter, music supervisor, or just passionate about film and TV music, this episode is packed with real-world advice and inspiration! 🎬🎶 #AnimationMusic #FilmMusic #MusicIndustry #DreamWorks #MusicSupervisor
Our mission here at MUBUTV is to help independent artists and music business professionals of the future to educate, empower and engage their music career.
Here are the ways to work with us here at MUBUTV:
⚡️Insiders! Secure Your Spot! Get expert music career coaching with Ritch & Eric.
Book your 15-min discovery call now: Grab a spot! 👉 https://book.mubutv.com
MUBUTV Free Music Guides
⚡FREE A&R Guide: 👉 https://link.mubutv.com/ARFreeGuide
⚡FREE Music Supervisor Guide: 👉 https://link.mubutv.com/MSFreeGuide
⚡FREE Music Manager Guide: 👉 https://link.mubutv.com/MGRFreeGuide
Books mentioned & suggested:
📒 All You Need To Know About the Music Business 11th Edition – https://amzn.to/3sdgrja
🎧 Get Audible Free – Your favorite titles anywhere you go. Enjoy a free trial on us! – https://amzn.to/3RB2nu4
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QUESTION? — Have a question about this podcast, your music career, pursuing a career in the music industry, or anything else? Post in the comments section of this podcast!
Subscribe to our YouTube channel and get more great content on the Music Industry: https://link.mubutv.com/YTsubscribe
⏰ TIMECODES ⏰
0:00 Intro & the “No Kids’ Music, Just Great Music” philosophy
4:14 Why Animation Music is Not Just for Kids
5:33 The Challenge of Casting for Animated Music
6:40 Voice Acting Meets Singing: Emoting as a Character
8:15 Breaking the Animation vs. Live Action Music Myth
10:26 How original songs and score develop alongside scripts
12:06 The long timeline of animation production: creative flexibility & collaboration
13:39 Recording, emotion, and matching the animated character
17:03 Global streaming and the worldwide reach of DreamWorks music
19:16 Choosing composers and songs for both children and adults
21:39 The essential skill of communication in animation music
24:04 How Dirty Dancing’s soundtrack inspired Alexandra Nickson’s love of music in film
25:22 The outlook on AI and virtual production for animation music
26:50 Best advice for aspiring composers, songwriters, and music supervisors
29:35 The critical business and organizational skills for music creatives
31:29 Relationship building & networking in the film/TV music business
33:43 Learning teamwork and people skills in music
34:15 Wrap up & how to connect
🎵 Music provided by Disciples of Babylon. Check them out here ➡️ https://spoti.fi/3kSY0wR
To learn more about this episode visit:
LINK
Podcast Credits
Produced by: Ritch Esra & Eric Knight
Editor: Eric Knight
Shownotes & Transcriptions: Johnny Blueheeler
Discover how the world’s biggest animation hits are made and why “kids’ music” is a myth. Alexandra Nickson of DreamWorks takes you inside the creative process, the global strategies, and the business and communication superpowers needed for a career in film/TV/animation music. Subscribe for weekly music industry strategies, and comment below with your biggest animation music question!
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