Free access to HitmakerOS as the social media system behind 100M+ streams across 250+ independent song release campaigns. Best of all, it’s completely FREE to sign up for 👉 https://hitmakeros.com
00:00 Intro
04:00 The 100K Hitmaker Blueprint
10:00 The Eight Week Song Release
What’s inside HitmakerOS?
→ The 8-Week Song Release System
→ Release Date Planners and Content Calendars
→ Paid Ads Playbooks (Meta, YouTube + Spotify)
→ Playlist Pitching Tools
→ Radio, Sync and Booking Agent,Contact Databases
Free to sign up. Forever. 👉 https://hitmakeros.com
Ye is officially back, Drake continues to dominate the music industry, and A$AP Rocky has finally broken his silence. In this video, we break down the latest developments surrounding Kanye West, Drake, and A$AP Rocky and explain why these stories could have major implications for hip-hop moving forward.
From Ye’s return to Drake’s seemingly unstoppable run and A$AP Rocky’s response to the growing conversation around him, there’s a lot happening right now in rap culture. We break down the biggest moments, what fans are saying, and what this means for the future of the industry.
If you’re into hip-hop news, rap beefs, music marketing, artist branding, and the latest updates from the biggest names in the game, this video is for you.
🔥 Subscribe for more hip-hop commentary, rap news, and music industry breakdowns.
00:00 Ye Is Officially Back
01:08 Why Everyone Is Talking About Kanye Again
03:14 Drake’s Winning Streak Continues
05:36 Why Nobody Can Stop Drake Right Now
08:10 A$AP Rocky Finally Responds
10:24 The Internet Reacts To Rocky’s Comments
12:15 The Bigger Picture Nobody Is Talking About
14:06 Why Hip-Hop Is Entering A New Era
16:22 Final Thoughts
Video by Adrian Barrin – Music & Event Marketing via YouTube
Are you a creator trying to host a live workshop, digital seminar, or in-person event, but struggling to convert your followers into paid ticket sales?
Most creators treat ticket sales like a volume game, relying heavily on scarcity tactics ("only 50 spots left!") or dumping money into cold paid ads. In this video, we break down why traditional entertainment marketing logic fails for transformation-driven events, and how a strategic shift from scarcity to clarity can maximize event revenue and engagement.
If you want help selling out your next event, send me a message. Click here:
►► https://www.artlet.io/contact
—————————- NEED HELP?
Join other artists and creators inside my Skool
►► https://www.skool.com/music-marketing-accelerator-6466/about
Join my Discord Community:
►► https://discord.gg/9ZsbkvCKKe
🕒 Video Chapters
00:00 — The Event Registration Mismatch: Why Followers $neq$ Buyers
01:38 — Chapter 1: The Mistakes Most Creators Make Planning Events
02:02 — Entertainment Logic vs. Transformation Logic in Event Marketing
03:24 — The 3 Strategic Drivers That Convert Ticket Sales
03:44 — Driver 1: Establishing Transformation Clarity over Vague Outcomes
04:30 — Driver 2: Utilizing Community Proof and Authentic Testimonials
05:19 — Driver 3: Cultivating Accountable Authority Without Gatekeeping
06:57 — Sourcing High-Intent Audiences: Paid Ads vs. Owned Networks
08:42 — Mapping Out Your Omni-Channel Marketing Hierarchy
10:45 — Chapter 4: The 10-Week Conversion Timeline for a Sold-Out Event
—————————- DISCLAIMER
This description contains affiliate links that allow you to find the mentioned items in this video. By purchasing from these links I may or may not receive a small commission – the viewer is in No Way obligated to use these links. Thanks for your support!
Fraser T. Smith has produced some of the most important records in British music. Gang Signs and Prayer with Stormzy. Set Fire to the Rain with Adele. Psychodrama with Dave. Black at the Brits. A Grammy, multiple Ivor Novellos, and a career spanning from Craig David to Celine Dion.
Recorded live at SXSW London 2026, Fraser talks about what every great artist has in common, why the 13th hour is where musicians are made, how he created safe spaces for the biggest artists in the world, why AI is actually good news for real artists, and what it felt like to play piano at the Brits having never performed in public.
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ABOUT f:nd your frequency
The podcast about building an audience from zero. Every week, un:hurd music founder Alex Brees talks to artists, founders, and investors who’ve built something from nothing. If you’re an independent artist trying to grow, this show is for you.
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SUBSCRIBE: https://pods.to/fyf
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Recorded live at SXSW London 2026.
un:hurd music gives every independent artist a fair chance of success. Start for free: https://go.unhurd.co.uk/youtubemaster1
Follow us on IG: https://www.instagram.com/unhurdmusic/
@dj_doowap uses TuneCore Splits to make sure everyone involved in a release gets paid accurately and automatically.
From producers to featured artists, Splits helps independent artists spend less time chasing payments and more time creating.
..
TuneCore empowers artists, labels and managers to upload unlimited releases on all of the world’s most popular digital music stores and social platforms, including Spotify, Apple Music, TikTok– while retaining 100 percent of their rights– for one annual flat fee.
● Subscribe to TuneCore’s YouTube Channel: https://youtube.com/tunecore
● Visit TuneCore’s official website: tunecore.com
● Follow TuneCore on TikTok: tiktok.com/@tunecore
● Follow TuneCore on Instagram: instagram.com/tunecore/
● Follow TuneCore on Twitter : twitter.com/TuneCore
● Follow TuneCore on Facebook : facebook.com/TuneCore/
Video by Tapback Media – Music Marketing Coaching via YouTube
Warum sollte eine Newcomer Band auf Festivals spielen? Was ist der Mehrwert fürs Festival und das Publikum? Mehr Reichweite, mehr Follower – das ist die Frage. #NewcomerBand #Festival #Musikindustrie #Mehrwert
⚖️ Descarga tu hoja de ruta legal gratis → https://xiola.co/plan
✉️ Escríbeme en Instagram → https://www.instagram.com/alexiomarrodriguez/
Si eres nuevo en mi canal, mi nombre es Alexiomar Rodríguez, soy abogado y socio fundador de Xiola. Somos una firma legal boutique para la industria de la música y el entretenimiento. Trabajamos con artistas, empresarios e inversionistas. Les ayudamos a negociar y cerrar contratos de seis y siete cifras. En 2025, conseguimos $5M para nuestros clientes sin sacrificar derechos, control, ni libertad.
Cómo llegué aquí…
0–21: Músico, productor, guitarrista y cantautor (+10,000 oyentes mensuales en Spotify).
22: Graduado con Altos Honores en Economía (UPRM).
24: Trabajé con jueces (federal y estatal) y firmas de litigio corporativo.
25: Graduado con Altos Honores en Derecho (UPR).
26: Renuncié a una de las top 3 firmas de Puerto Rico para lanzar Xiola.
27: Facturé mis primeros $100,000.
28: Fundé Seed Academy, escuela de music business en español.
29: Escribí un best seller en Amazon (De Artista a Empresario Musical) y superé $400K en revenue.
30: Me mudé a EE.UU., levanté $250,000 con Techstars + Warner + VC, y lancé Flou, software de contratos musicales ($50,000 en ventas).
31: Comencé a dar charlas internacionales.
32: Seguí el consejo de mi mentor, Alex Hormozi. Cerré Seed Academy y Flou. Me enfoqué en Xiola y facturamos más de $500,000.
Hoy: Nuestra firma ha cerrado sobre $5M en adelantos e inversión en la industria de la música y el entretenimiento. Somos 100% bilingües (español e inglés). Trabajamos con artistas, empresarios e inversionistas americanos e hispanos. Cobramos de tres maneras: tarifa fija, comisión, y suscripción. Así es como hacemos nuestro dinero. No vendemos cursos.
La industria musical es dura. Pero si naciste para esto, lo sabes:
La vida sin música sería un error.
No te quites,
Alexiomar
RELEVO: Este contenido es solo para fines educativos. No constituye asesoría legal. Consumir este material no crea relación abogado-cliente. Para orientación específica, consulta a tu abogado de confianza.
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