Videos

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Futuro de la monetización y legislación de la IA

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Video by Alexiomar Rodríguez via YouTube
Futuro de la monetización y legislación de la IA

⚖️ Descarga tu hoja de ruta legal gratis → https://xiola.co/plan
✉️ Escríbeme en Instagram → https://www.instagram.com/alexiomarrodriguez/

Si eres nuevo en mi canal, mi nombre es Alexiomar Rodríguez, soy abogado y socio fundador de Xiola. Somos una firma legal boutique para la industria de la música y el entretenimiento. Trabajamos con artistas, empresarios e inversionistas. Les ayudamos a negociar y cerrar contratos de seis y siete cifras. En 2025, conseguimos $5M para nuestros clientes sin sacrificar derechos, control, ni libertad.

Cómo llegué aquí…

0–21: Músico, productor, guitarrista y cantautor (+10,000 oyentes mensuales en Spotify).
22: Graduado con Altos Honores en Economía (UPRM).
24: Trabajé con jueces (federal y estatal) y firmas de litigio corporativo.
25: Graduado con Altos Honores en Derecho (UPR).
26: Renuncié a una de las top 3 firmas de Puerto Rico para lanzar Xiola.
27: Facturé mis primeros $100,000.
28: Fundé Seed Academy, escuela de music business en español.
29: Escribí un best seller en Amazon (De Artista a Empresario Musical) y superé $400K en revenue.
30: Me mudé a EE.UU., levanté $250,000 con Techstars + Warner + VC, y lancé Flou, software de contratos musicales ($50,000 en ventas).
31: Comencé a dar charlas internacionales.
32: Seguí el consejo de mi mentor, Alex Hormozi. Cerré Seed Academy y Flou. Me enfoqué en Xiola y facturamos más de $500,000.

Hoy: Nuestra firma ha cerrado sobre $5M en adelantos e inversión en la industria de la música y el entretenimiento. Somos 100% bilingües (español e inglés). Trabajamos con artistas, empresarios e inversionistas americanos e hispanos. Cobramos de tres maneras: tarifa fija, comisión, y suscripción. Así es como hacemos nuestro dinero. No vendemos cursos.

La industria musical es dura. Pero si naciste para esto, lo sabes:

La vida sin música sería un error.

No te quites,

Alexiomar

RELEVO: Este contenido es solo para fines educativos. No constituye asesoría legal. Consumir este material no crea relación abogado-cliente. Para orientación específica, consulta a tu abogado de confianza.

© 2025 Alexiomar Rodríguez. Todos los derechos reservados.#industriamusical #abogadodemusica #contratosmusicales

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Jael on the power of live music building a setlist for her live shows | Story of a Setlist

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Video by PRS for Music via YouTube
Jael on the power of live music building a setlist for her live shows | Story of a Setlist

"I feel like seeing that proper emotion happen is something so special to me."

In this installment of ‘Story of a Setlist’, Australian artist Jael (@jaelwena) shares the emotional depth behind her music. She shares her strategy for structuring an emotional live performance, the one song she absolutely must include in every set, and why she ultimately wants her music to make people cry.

Don’t leave royalties on stage: Every time you perform at a PRS-licensed venue, remember to report your setlists to PRS for Music so we can make sure you get paid for your craft.

Follow Jael
Instagram: https://www.instagram.com/jael.wena/
Facebook: https://www.facebook.com/jaelwenaofficial/
TikTok: https://www.tiktok.com/@jaelwena

Follow PRS for Music:
Instagram: / prsformusic
Twitter/X: PRS for Music (@PRSforMusic) / X
TikTok: / prsformusic
Website: https://www.prsformusic.com

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For artists who are resistant to creating “content” #diyartist #musicmarketing

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Video by D4 Music Marketing via YouTube
For artists who are resistant to creating “content” #diyartist #musicmarketing

Over a span of a year with experimenting with short form performance videos, I grew Lyrics Born’s following from 20k to 200k+ on IG and 1.5k to 58k+ on TikTok. Our most viral videos didn’t take off until 6 months into our album promotion, after Snoop reposted the video for the first single.

I’ve heard every reason why artists don’t want to use social media or create content to promote their music. Yes, there are other options and routes you can take. But love it or hate it, social media is the powerful and scalable tool to market and promote your music. That’s just where technology has taken us.

It’s important to remember that content has always existed even before the Internet and social media. It has always been an important component of marketing music. Except, back in the days the artist would typically participate in the creation of content, or they would have the label handle and facilitate the content, i.e. music videos or radio/magazine interviews, so that the artist didn’t have to handle it.

But most artists today aren’t signed to a label so it’s expected that the artist need to do themselves or pay someone to do it. This necessity of content for promotion wasn’t created by social media, it only increased it and saturated it exponentially.

Marketing your music isn’t easy, but there is a path forward, for new and veteran artists, if you’re willing to experiment and be consistent with content.

#MusicMarketing #DIYartist

This is part 2 of a 3 video series. Clips are from the @HistoryoftheBayClips podcast by @Dregs_One​⁠.

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Micheal Jackson’s Legacy is Still Growing Decades Later!

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Video by Full Moon via YouTube
Micheal Jackson's Legacy is Still Growing Decades Later!

If you’re an artist looking for a music publishing deal that won’t take a massive cut, I’ve got something for you! Music Publishing offers artists like you a fair shot at success.
Use my link to get a special discount on the commission they take:
👉 Sign up here: https://app.monetunes.com/signup/252528

WANT FREE MONEY?
👉 Join me on Chime and get $100. https://chime.com/r/vallemondgerman1?c=s

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

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