Music Business News: Ticketing, Royalties, and Artist Growth

This week’s music business news roundup highlights key developments and insights across the industry, from technological advancements and legal disputes to practical advice for artists. The stories cover a range of topics including event ticketing in Asia, royalty management, independent artist strategies, and industry commentary, offering a snapshot of current trends and challenges.

MyTicket.asia and TicketSearch are enhancing event ticketing across Asia, aiming to improve access and efficiency for consumers. (Source: MyTicket.asia and TicketSearch)

A manager discusses the difficulties in securing funding despite having broad capabilities in today’s music industry. (Source: Industry commentary)

An article explains how publishing royalties flow, detailing the processes from creation to payment. (Source: Publishing industry analysis)

Pharrell Williams and Chad Hugo are engaged in a legal battle over disputed royalties, highlighting ongoing issues in artist agreements. (Source: Legal news)

An independent musician shares a milestone of reaching 1,000 monthly listeners after five years, emphasizing persistence. (Source: Artist experience)

A blueprint for beginners outlines strategies to achieve 100,000 streams by 2026, focusing on growth tactics. (Source: Music marketing guide)

Advice is offered on promoting music in real-life settings, complementing digital efforts. (Source: Marketing tips)

Caleb Swift provides insights on writing music for trailers, TV, and other media, expanding revenue opportunities. (Source: Expert interview)

Laila Biali, a Vancouver indie jazz musician, is heading to the Grammys with a song written in a Banff cabin, showcasing artistic success. (Source: Artist feature)

A concept explores selling music directly to fans before streaming, potentially increasing artist revenue. (Source: Business innovation)

Results from a $5/day ad campaign over 365 days are shared, offering data on stream generation. (Source: Advertising experiment)

A commentary argues against stealing as innovation, addressing ethical concerns in the industry. (Source: Industry opinion)

LaRussel notes that Jay-Z is considered the biggest independent artist globally, sparking discussion on independence. (Source: Artist statement)

The main ideas from these stories revolve around the evolving landscape of music business, where technology and direct-to-fan models are reshaping revenue streams, while legal and funding challenges persist. Implications include a greater need for artists to diversify income through ticketing, publishing, and direct sales, as seen in the Asia ticketing expansion and royalty disputes like the Neptunes case. For those interested in music business, this suggests prioritizing clear contracts and exploring hybrid distribution strategies to mitigate risks and capitalize on new opportunities. Suggestions include leveraging educational resources like the streaming blueprint and real-life promotion tips to build sustainable careers, while staying informed on industry debates to navigate ethical and financial complexities effectively.